The 8th edition of Indígenas.br will be held from August 4 to 7 and is curated by Djuena Tikuna and Magda Pucci.
The festival marks the CCVM celebrations for Indigenous August, valuing the musical diversity of indigenous peoples with workshops, shows, debates and documentaries.
Check out the schedule:
Participation: Cintia Guajajara, Kaê Guajajara and Djuena Tikuna
Mediation: Magda Pucci
Bringing together indigenous women to share songs, memories, knowledge and experiences related to their territories.
In Aldeia Maçaranduba, the songs of the Guajajara (Tenetehara) people are rituals of connection with nature, cosmology, and ancient spirits. The short documentary film records the experience of traditional local singers and the cultural resistance faced in the territory.
The Lagoa Quieta Village, in the Araribóia Indigenous Land, is one of the cultural and spiritual cradles of the Tenetehara/Guajajara people. There, traditional stories and songs are living ancient practices, transmitted by the elders as a way of preserving their identity, mother tongue, and deep connection with the territory.
With an acoustic show, Kaê brings his trajectory in new arrangements that bring the guitar, piano, percussion and vocal polyphony closer to references in Brazilian popular music and original songs, with compositions that address themes such as identity, recovery, memory, indigenous resistance and environmental preservation.
With Magda Pucci
Based on the book “Cantos da Floresta — Initiation to the Indigenous Musical Universe”, by Magda Pucci and Berenice de Almeida, the workshop is aimed at musical educators interested in learning about the diversity of the musicalities of the original peoples.
Directed by Djuena Tikuna, Diego Janatã and Vinicius Berger, the documentary is officially released at the Festival Indígenas.br 2026
With Djuena TiKuna, Diego Janatã, Vinicius Berger, Flavia Berto and singers from Coletivo Japua
With Arami Argüello, Jaciara Marschner, Rossandra Cabreira and Kellen Vilharva Xamiri Hu’y Rendy.
This performative conversation proposes a reflection on time from the Kaiowá and Guarani perspectives, covering concepts related to the passage of time, to medicinal knowledge, to songs that represent specific moments of existence and their relations with death.
The exhibition is based on entries from the Kaiowa-Portuguese Dictionary, the result of a research journey that spanned the life and work of the indigenist, linguist, and professor of Indigenous History Graciela Chamorro.
Short documentary, which recounts the trajectory of professor, historian, linguist and researcher Graciela Chamorro. Based on family records, field images, songs and words in the Kaiowá language, the film pays homage to his life and decades of living with the Guarani and Kaiowá peoples of Mato Grosso do Sul.
19:30 | Screening of the documentary Mbaraká – The word that acts (photo 1)
Based on interviews with shamans (nhanderu) and records of Guarani-Kaiowá songs, dances, and ceremonies, the film delves into the universe of shamanic chants, revealing the performative power of the word in its sound, corporeal, dreamlike and spiritual dimensions.
In her performances, she combines voice, Guarani viola, percussion, bass and flute, incorporating the Guarani language, body paintings and traditional ornaments. Its repertoire celebrates the forest, ancestry, and the balancing relationship between human beings and nature.
With the Collective Weavers of the Xingu Territory
Xingu body painting is a living expression of the identity, ancestry, and cosmology of the original peoples. The graphics tell stories, mark rituals such as Kuarup and use natural pigments from the forest, such as annatto (red) and jenipapa (black).
Direction: Takumã Kuikuro, Leonardo Sette and Carlos Fausto
Fearing that his elderly wife will die, an old man asks his nephew to perform Jamurikumalu, the greatest female ritual in Upper Xingu (MT), so that she can sing one last time.
With the Collective Weavers of the Xingu Territory, bringing together representatives of the Yawalapiti, Kuikuro, Mehinako and Kalapalo peoples and chieftain Tafukuma Kalapalo
Sounds and Voices of the Original Peoples Course
Coordination: Marlui Miranda, Magda Pucci and Pedro Paulo Salles
Throughout the four meetings, listening and contextualizations and musical practices will be conducted, with the dialogue with the indigenous artists invited to the Indigenous Music Festival – Indigenas.br as its central axis
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August 4th
Introduction to indigenous musicalities in Brazil
Presentation of the course and the participants. Overview of indigenous Brazilian musicalities, highlighting the diversity of peoples, territories, biomes, and cosmologies.
Special appearance: Djuena Tikuna
August 5th
Introduction to the musical traditions of the indigenous peoples of Maranhão, addressing their instruments, vocal repertoires, ritual contexts, and ways of transmitting musical knowledge.
Special participation: singer Cíntia Guajajara and representatives of the Japua Awa Guajá Collective.
August 6
Commentary listening to sound records and reflection on the different ways of singing and understanding music among native peoples, highlighting the relationships between singing, territory, spirituality and cultural resistance.
Special participation: Tainara Takua, representative of the Guarani Mbyá people (SC and SP).
August 7th
Introduction to the musicalities of peoples from the Xingu Indigenous Territory, such as Yawalapiti, Kamaiurá, Kuikuro, Kalapalo, and Wauja, presenting aspects of their musical organizations, vocal repertoires, rituals, and the relationships between music, body, and cosmology.










